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Here’s the last of the Lightfield albums. This one also tends more toward the IDM side than the ambient soundscape side, though it has a little bit more of the audio weirdness and rhythmic writing of Rain Are In Clouds mixed in there. All of Zanshin’s albums so far except Muddle In The Middle have had a vinyl release as well that I haven’t bothered linking, but this is the first album where there’s a difference between the two: the digital version includes an extra track, “Esmeralda The Swift.”
Recommended tracks:
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“Chance Ain’t Counting The Daze” is a house track with some really loud drums and synth stabs sometimes
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“Esmeralda The Swift” sounds like wandering a possibly dangerous forest at night
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